Label Services

Distribution, releases and marketing for artists, labels, music publishers and producers who want the catalogue out — and understood.

Distribution is the easy part. The work is everything around it: release timing, correct metadata, artwork that reads, pitching to the right editors, and a statement you can actually check at the end of the quarter. That is what we do.

At the centre of it all is the catalogue: recordings, works, metadata, rights and territories in order. Everything else follows from that — you release quickly, get paid correctly, license abroad without contractual surprises, and take the record on tour, growing a fan base market by market.

Included

Six things,
done properly.

Scale depends on the release, but the operational base is always the same — because a broken metadata field costs more than an extra day of marketing.

Catalogue management

Catalogue hygiene, artwork fixes, re-deliveries, takedowns, territory control and year-round maintenance of what is already released.

Digital distribution

Delivery to every relevant platform and store worldwide — streaming, downloads, video and short-form. Curve Music UK has distributed directly to Apple since 2010.

Release planning

Calendar, sequencing, artwork and asset preparation, ISRC and UPC codes, credits, living metadata and correct pre-save/pre-order windows.

Marketing & pitching

Editorial pitching, playlist strategy, DSP tools, content plan for the release cycle, press and partner articulation — in Brazil and abroad.

Reporting & payments

Periodic statements, per-platform numbers and transparent settlement, with the royalty splits agreed in contract applied line by line.

YouTube & UGC

Asset claiming, monetisation of user uploads, Content ID management and revenue collection from video usage of your recordings.

Formats

Single, EP, album,
or the whole catalogue.

We take on a one-off single when it makes sense, a full album cycle, or the migration and professionalisation of a back catalogue that was never properly distributed.

Commercial terms are set in contract, by scope and territory. There is no public price list — the same album is not the same job in two different markets.

What we need from you to start:

Master files in WAV, or a defined plan for what is still being recorded
Artwork and credits per track
Splits agreed in writing between writers, performers and producers
Rights picture: what is owned, what is licensed, what is pending
Existing numbers: streams, audience, previous releases

Talk about a release

Distribution carries
the catalogue further.

A release is only the door. Once the recording is out and correctly identified, publishing and sync turn the same catalogue into licensing revenue abroad.